{"id":59,"date":"2010-04-19T03:51:00","date_gmt":"2010-04-19T03:51:00","guid":{"rendered":"http:\/\/www.michaeleregina.com\/blog\/?p=59"},"modified":"2011-05-12T04:54:42","modified_gmt":"2011-05-12T04:54:42","slug":"an-interview-with-denver-jackson","status":"publish","type":"post","link":"https:\/\/www.michaeleregina.com\/blog\/an-interview-with-denver-jackson\/","title":{"rendered":"An Interview With Denver Jackson"},"content":{"rendered":"<p><span style=\"font-size:100%;\"><span style=\"color: rgb(255, 102, 0);\"><span style=\"color: rgb(0, 0, 0);\">Denver Jackson is one of those artists who&#8217;s ability to convey energy and originality, makes me cry myself to sleep at night.  OK, maybe not quite that, but he is darn good.   His range of abilities and talent is inspiring.  In some ways he&#8217;s a jack of all trades, but I wouldn&#8217;t dare add in the second part: &#8220;master of none.&#8221;  Denver runs a production studio, prints a small press comics anthology, draws comics, writes kids books, works with me as an assistant on Kazu Kibuishi&#8217;s Amulet series and still has time for God of War 3.  I know.  It makes me sick too.  Denver took some time out of schedule to answer some questions with me.  Hope you all enjoy the interview.<\/span><\/p>\n<p>1.)  You&#8217;re a pretty diverse guy when it comes to the  material you  create.  Can you tell us a bit more about all of the projects you&#8217;ve got  going?<\/span><br \/>\n<br \/>Currently, I&#8217;m animating a music video for an artist  named <span class=\"yshortcuts\" id=\"lw_1271649683_0\">Peter Shelley<\/span>  and I&#8217;ve just recently completed a short film titled &#8216;the White Boned  Demon.&#8217; I&#8217;ve as well just self published a storybook called &#8216;Astra&#8217;s  Melody&#8217; and in the process of illustrating the &#8216;Solis City&#8217;; <span style=\"border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;\" class=\"yshortcuts\" id=\"lw_1271649683_1\">graphic  novel<\/span>. I find the work process exciting going from different  mediums of storytelling each time; from <span style=\"cursor: pointer; background: none repeat scroll 0% 0% transparent;\" class=\"yshortcuts\" id=\"lw_1271649683_2\">traditional animation<\/span> to mixed media to  comics.<br \/>\n<br \/><\/span><\/p>\n<div class=\"im\"><span style=\"font-size:100%;\"><br \/>\n<br \/><span style=\"color: rgb(255, 102, 0);\">2.) Something that seems to be  catching a  bit of buzz in  your area is your <\/span><span style=\"color: rgb(255, 102, 0);\" class=\"yshortcuts\" id=\"lw_1271649683_3\">comic  magazine<\/span><\/span> STRIP.  What was the genesis of that and what has been the response?<br \/>\n<br \/><span style=\"font-family:arial,sans-serif;\"><span style=\"font-size:100%;\"><br \/>\n<br \/>Marc Junker (the other co-founder) and I found our inspiration in a popular comic anthology called &#8216;Flight.&#8217; This series of graphic novels contains amazingly diverse art styles and stories it really brought out something in us. We collaborated by selling our own little zines printed on ink jet at comicons &#8211; which was a terrible idea. We weren&#8217;t concerned about the costs due to the fact that we were &#8220;living our dreams,&#8221; so to speak. However, after a couple of years, more and more anthologies provided us with inspiration (Popgun, Afterworks, 24Seven) and we found ourselves working with more and more talented artists (including the third member of strip, Glen O&#8217;Neil) and decided that the idea of a comic anthology in the format of a free publication (available to pick up in coffee shops, etc) would be a fantastic method of promoting the growing comics scene on Victoria, on the island, and in Vancouver! The response has been great as we are constantly receiving emails from artists looking to contribute or get involved.<\/span><\/span><\/div>\n<p><meta equiv=\"CONTENT-TYPE\" content=\"text\/html; charset=utf-8\"> \t<title><\/title> \t<meta name=\"GENERATOR\" content=\"OpenOffice.org 3.0  (Unix)\"> \t<\/p>\n<style type=\"text\/css\"> \t<!-- \t\t@page { margin: 0.79in } \t\tP { margin-bottom: 0.08in } \t--> \t<\/style>\n<div class=\"im\"><span style=\"font-size:100%;\"><br \/>\n<br \/><span style=\"color: rgb(255, 102, 0);\">3.) And this is something that  anyone can submit to for having their work showcased? <\/span><\/span> <span style=\"font-size:100%;\"><\/p>\n<p><\/span><\/div>\n<p><span style=\"font-size:100%;\">Yes  it is.  We are constantly looking to make connections with fellow artists\/new  friends.<\/span><\/p>\n<div class=\"im\"><span style=\"font-size:100%;\"><br \/>\n<br \/><span style=\"color: rgb(255, 102, 0);\">4.) What  are the types of projects you are looking for?<\/span><\/p>\n<p>I usually will  pick up a project that I know I will learn something from or that I am  strongly connected with the story no matter the genre. I have many  personal stories that I would love to tell however, I&#8217;m constantly doing  freelance work to pay the bills.<br \/>\n<br \/><\/span> <\/div>\n<div class=\"im\"><span style=\"font-size:100%;\"><\/p>\n<p><span style=\"color: rgb(255, 102, 0);\">5.)  Your film work  is pretty  unique.  I was first turned on to your work because of your adaptation  of Kazu Kibuishi&#8217;s Copper.  What training did you have and any specific  programs you use for your visual effects work?<\/span><\/span> <span style=\"font-size:100%;\"><\/p>\n<p><\/span><\/div>\n<p><span style=\"font-size:100%;\">Well, I  spent a  year in art school were I&#8217;d be doing many art projects that  sucked up the time I needed to complete my personal projects such as  comics or film. In the end, I decided that my personal projects taught  me a lot more than what school was doing so I dropped out. Other than  that, I have had no prior training. Through the magic of the internet,  there is a library of information on almost any topic!<br \/>\n<br \/>In terms of programs, Photoshop is essential! I use After Effects  to do composting and animation work. For the adaptation of Kazu&#8217;s  Metropolitan, I worked with flash.<\/span><\/p>\n<div class=\"im\"><span style=\"font-size:100%;\"><\/p>\n<p><\/span><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"https:\/\/i0.wp.com\/3.bp.blogspot.com\/_1ZX8XqPPdSU\/S8vX8GhVNaI\/AAAAAAAAAL8\/iD-_aKcmlcM\/s1600\/astras.jpg\"><img data-recalc-dims=\"1\" decoding=\"async\" style=\"float: left; margin: 0pt 10px 10px 0pt; cursor: pointer; width: 375px; height: 400px;\" src=\"https:\/\/i0.wp.com\/3.bp.blogspot.com\/_1ZX8XqPPdSU\/S8vX8GhVNaI\/AAAAAAAAAL8\/iD-_aKcmlcM\/s400\/astras.jpg\" alt=\"\" id=\"BLOGGER_PHOTO_ID_5461696400659396002\" border=\"0\" \/><\/a><span style=\"font-size:100%;\"><span style=\"color: rgb(255, 102, 0);\">6.) That  adaptation of Kazu&#8217;s work lead to lending a hand, which is where we met,  on his series Amulet.  Can you tell us a bit about the work you&#8217;ve done  on that series?<\/span><\/p>\n<p><\/span><\/div>\n<p><span style=\"font-size:100%;\">The work  on Amulet is by no means  grand or  spectacular. We basically fill in colors so that the painters can  focus strictly on painting. Anyone who knows their way around Photoshop  can do what we do. But we do help out a lot and Kazu and Jason have  shown great appreciation for the work we put into it. It has also been  such a great learning experience as they will also take the time to  answer any questions we had if we weren&#8217;t sure of something.<\/p>\n<p><span style=\"color: rgb(255, 102, 0);\">7.) Since working on Amulet, I&#8217;ve seen your work  become more comics focused altogether.  What&#8217;s the drive behind  that, and what projects are you preparing for the future?<\/span><\/span> <span style=\"font-size:100%;\"><\/p>\n<p>Working    with comics is just another form of visual storytelling and you and I  are doing the exact same thing; telling stories. It&#8217;s no different than  film. The passion comes from storytelling.<br \/>\n<br \/>With comics, stories can get told easier without relying on an entire  crew\/cast but they do loose that collaboration of many different ideas.<br \/>\n<br \/>My   friend Marc and I are currently looking for funding to fully animate  &#8216;Astra&#8217;s Melody.&#8217; We&#8217;re both working on a screenplay and starting the  animation process (concept art, storyboards, etc). Hopefully, we&#8217;ll be  able to start filming mid July!<\/p>\n<p><span style=\"color: rgb(255, 102, 0);\">8.)    Any webcomics, maybe?  \ud83d\ude42<\/span><\/span> <span style=\"font-size:100%;\"><\/p>\n<p>Haha, I&#8217;m currently working on one  that takes the idea of the &#8216;<span style=\"border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer;\" class=\"yshortcuts\" id=\"lw_1271649683_5\">infinite canvas<\/span>&#8216; as <span style=\"border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer; background: none repeat scroll 0% 0% transparent;\" class=\"yshortcuts\" id=\"lw_1271649683_6\">Scott McCloud<\/span><\/span>explains in his TED talk. If  anyone is interested, they can go to my blogspot for updates:<span style=\"font-size:100%;\"><span style=\"border-bottom: 1px dashed rgb(0, 102, 204); cursor: pointer; background: none repeat scroll 0% 0% transparent;\" class=\"yshortcuts\" id=\"lw_1271649683_6\"> <\/span><a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/djaxx.blogspot.com\/\"><span class=\"yshortcuts\" id=\"lw_1271649683_7\">http:\/\/djaxx.blogspot.com\/<\/span><\/a>  or follow me on twitter- <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/twitter.com\/djaxx\"><span class=\"yshortcuts\" id=\"lw_1271649683_8\">http:\/\/twitter.com\/djaxx<\/span><\/a><br \/>\n<br \/>Also, I&#8217;m happy to announce that Strip will  launch its website very soon with three weekly comics by  three artists, Glen O&#8217;Neil, Marc Junker, and myself. So keep this  website in mind- <a rel=\"nofollow\" target=\"_blank\" href=\"http:\/\/www.stripcomics.com\/\"><span class=\"yshortcuts\" id=\"lw_1271649683_9\">www.stripcomics.com<\/span><\/a><\/span> .<br \/>\n<br \/>_________________________________________________<\/p>\n<p>Check out the trailer for Dnever&#8217;s film: THE WHITE BONED DEMON<br \/>\n<br \/><object height=\"265\" width=\"400\"><param name=\"allowfullscreen\" value=\"true\"><param name=\"allowscriptaccess\" value=\"always\"><param name=\"movie\" value=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=10889269&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=&amp;fullscreen=1\"><\/object><\/p>\n<p><a href=\"http:\/\/vimeo.com\/10889269\">The White Boned Demon trailer<\/a> from <a href=\"http:\/\/vimeo.com\/djaxx\">Denver Jackson<\/a> on <a href=\"http:\/\/vimeo.com\/\">Vimeo<\/a>.<\/p>\n<p> <span style=\"color: rgb(136, 136, 136);\"><br \/>\n<br \/><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Denver Jackson is one of those artists who&#8217;s ability to convey energy and originality, makes me cry myself to sleep at night. OK, maybe not quite that, but he is darn good. His range of abilities and talent is inspiring. In some ways he&#8217;s a jack of all trades, but I wouldn&#8217;t dare add in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-59","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p4qGxI-X","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/posts\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":0,"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/posts\/59\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/media?parent=59"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/categories?post=59"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.michaeleregina.com\/blog\/wp-json\/wp\/v2\/tags?post=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}